Mar 26, 2017

Talking to the Clouds

My experience has been that very few games incorporate weather into their depictions of overland travel. This is usually because it's too much hassle to resolve what the weather is and how it impacts the PCs, without necessarily providing very interesting results as the pay-off. I think that by creating simpler systems that produce results more quickly and don't bog down play, we can get weather determination back into game-play as something fun that helps flesh out the feel of the world.

I've written several procedures for determining the weather over the years with varying levels of complexity and randomness. I've also experimented with making it a task that players perform (since it's information about the world that's immediately apparent to them). After all of that experimenting, I've found that the best combination of simplicity and granularity is to simply use reaction rolls for weather.

What we really want to know is "Does the weather aid or hinder the PCs?" and maybe get a prompt for depicting that in the fiction. And because weather is almost always a minor supplement to whatever else is going on, we want to get it done quickly, and not use a flat probability distribution that's going to overpopulate the game with inconvenient weather (unless you're playing a game set in England, of course). That would have to vary seasonally and regionally anyhow to properly convey verisimilitude, which adds a lot of background work on to the ref for little pay-off.

The 2d6 bell curve with five levels of results inspired by Moldvay's B/X version of D&D gives you a pretty simple way to adjudicate it and a clear sense of what's going on. NB: I'm basing my examples below on Courtney Campbell's inversion of the table, where ascending results are good instead of bad. I actually use a slightly simpler (three levels instead of five) in my home games, but most readers here will be more familiar with Moldvay's B/X than that, I think.

A result of "2" for "Hostile" means the weather is a genuine risk to the PCs, and they need to stop whatever they're doing (marching overland mostly) to deal with it. I usually include the risk of some damage, either to them or their gear or both, if they don't. "3-5 Unfriendly" means a slight hindrance - mostly slower travel, or the need to expend some resource (rations, water, etc.). Neutral results (6-8, and the most common kind) don't have any effect, while "Friendly" results (9-11) will help you travel slightly more quickly or expend fewer resources, and "12 Helpful" speeds you along or lets you avoid perils.

I like the emphasis on functionality here rather than specific results because it gives you the space to adapt the results to the fiction - fog can be a help or a hindrance, depending on the situation. Winter and summer have radically different kinds of helpful or desired weather.

If you're stuck for ideas, you can also roll 1d4 to tell you what the biggest change is:

1: Temperature
2: Visibility
3: Wind
4: Precipitation

Helpful precipitation (a roll of 12 on 2d6 and 4 on 1d4) might be a light rain that sucks the humidity out of the air in summer, or it might be a crisp snowfall that lets you ski across it easily in winter. "Hostile visibility" could be pea-soup fog, snow blindness, or heat waves washing out the horizon and creating mirages.

I roll about three times per day of travel - twice for the two four hour chunks the PCs are marching around, and once for the overnight weather, but alter the frequency to your own taste. I also have the PCs roll it instead of doing it myself, since the quality of the weather is something that should be immediately apparent to them anyhow. And with the 1d4 prompt, they can actually come up with even better suggestions for "helpful" or "friendly" results than I might, since they know what gear, knowledge and talents they have better than I do.

I recommend trying it out if you haven't and seeing how using reaction rolls like this allows weather to be incorporated with minimum fuss.

Feb 26, 2017

Demonic Patrons for Perdition: Sapralethe

Another demon patron for Courtney Campbell's Perdition. I'm debating between playing a druid and an "inheritor" which is sort of a cleric-equivalent, if clerics were mutant wizard cultists who shot flame from their eyes and had claws. I wanted some high-concept demon options to balance out the more body-horror devil patrons in the corebook.

Sapralethe, the Unwelcome Truth
Demon Lord of Truth, Revelation, Horror, Sound, and Stone

The Old Gods created the Angel of Truth and gave it a silver trumpet by which to proclaim their dominion over the world. They charged it to separate the true from the false through the clarion tones of the trumpet wherever it went. But each time the angel blew that trumpet, there were echoes that were unforeseen, truths unintended, that were released into the world. Those echoes coursed through far caverns and mountain valleys, intermingling with one another in a cacophony until finally Sapralethe, the residue of that unwelcome and unwanted truth, coalesced.

Sapralethe is the words no one wants to hear, the secret that causes kingdoms to fall and lovers to kill, the suddenly-remembered trespass that explains an act of revenge, the perfect as the enemy of the good.  Wherever knowledge is born from rivalry, conflict, discord and the need to humiliate and dominate, Sapralethe's influence will be found. It is the bold design of new weapons, the shaming truth, the intricate logic that ensares one's interlocutor. It loves the political critique too radical for its day, the dangerous pursuit of forbidden knowledge, the stinging rebuke, the rumour that no one will admit to spreading, the frankness of the fool to the king. It despises musicians, merchants, sycophants and the timidity of the ignorant and naive. It abhors the unthinking construct, and seeks to remind it that it is nought beside the power of the mind.

Sapralethe appears as a mausoleum carved with the names of its petitioners. The inside of the mausoleum is covered in graffiti left by visitors. You must search until you find the answer to your question, however long it takes. You must leave an answer you do not wish to be known as payment for the gift. The mausoleum is decorated with statues of those found unworthy by Sapralethe.

Its herald is a vulture-headed naked giant with torn wing stumps who carries a silver trumpet and a book, each chained to its arms. The giant is unable to play the trumpet. He cannot read the book. His footsteps shake the earth long after he is gone. Sapralethe's cultists are rogue scholars, printer-heresiarchs, invidious rumour-mongers and mystics who have searched into dark realms in pursuit of ultimate truth. They dust themselves with chalk and conduct silent ceremonies in forgotten libraries of black lore.

Taboos
Never stifle an echo
Seek out and spread knowledge regardless of the consequences
Never forgive someone who has lied to you
Never destroy a statue or monument

Observances
Discover a secret (+1)
Write a dangerous secret down for others to discover (+1)
Provoke a conflict by speaking the truth (+1)
Ritually sacrifice a musician to Sapralethe (+1)
Tell a lie to avoid the consequences of the truth (-1)
Flatter or comfort another (-1)

Bond
2: Opponents you make social attacks against apply your current Stress total as a penalty to their saves against the effects of the attack.
3: You may name a creature that has lied to you, and track it via the appropriate Survival skill
4: You may use the brain of a freshly-killed sentient being to auger the future (as Augury)
5: You may reroll any save to avoid becoming Panicked, Shaken, or to gain a point of stress. If you succeed on the second roll, this condition is applied to someone else of your choosing nearby instead.
6: You can tell whenever someone lies to you. Either party in a conversation may remain silent instead of answering. You can also trade unpleasant truths. For each unpleasant truth you share, the other party must answer one question truthfully.
7: Three times per day you may speak the Words of Unmaking, affecting a 3"x 3" cone. All creatures within it must save or be deafened. All objects must save or be shattered.
8: You gain Social and Psychic Resistance 5. You are immune to damage from stress.
9: As a [Double Action] you may summon a sorrow elemental from a statue to serve you for one day. The statue must be man-sized or larger, and can only be used to summon an elemental once. Statues made within the past year summon minor elementals. Statues less than a century old summon elementals. Older statues summon major elementals. There is a 1-in-20 chance any statue has already been used by another acolyte of Sapralethe.
10: You can speak to the echoes of Sapralethe resounding in all base matter. You do not need to share a common language with your target to make social attacks. Your social attacks may affect constructs and mindless undead.
11: You castigate your enemies you for their failings, and your shaming words etch themselves into their skin. As an [Action] you can make a social attack against all enemies within 3". They must save or be Staggered for a number of rounds equal to your current Stress total and take 2d8 physical damage. Creatures with Wickedness >10 are Stunned and take 4d8 physical damage instead on a failed save.
12: You and all allies within 2" gain Fast Healing X where X is equal to each of your current Stress totals. You no longer need to sleep and cannot be surprised. When you are killed, you melt into the earth. The next time someone says your name in a place that echoes, you will reform unharmed as a naked statue within one day if you pass an Ego test (Difficulty 7). Failing the test means you are permanently dead.

Edited after Josh B's feedback.

Feb 21, 2017

Demonic Patron for Perdition: Acedius Vex

I was a playtester on Courtney Campbell's Perdition, and am currently a player in his campaign, which is why I haven't reviewed it here, but I do like it. The corebook mainly has devil lords as patrons for PCs to take on. In Courtney's own game, we have at least one of the Old Gods written up as a patron, and my previous character (who just died last session) was one of his initiates (possibly the only one). I thought I'd write up some demonic ones just to balance things out.

For those unfamiliar with the campaign setting, devils in Perdition are expressions of law. Bad law, certainly, but still ultimately the law. Demons are the forces of raw chaos who want to undo the existence of every constant in it, from society to gravity and everything in between. They want to do so as a way of undoing the divine act of creation. I thought it would be more interesting if they all disagreed about what undoing creation would look like.

Acedius Vex, the Welter of Meaning
Demon Lord of fungibility, distraction, sensory overload, inversion, ambivalence and mathematics

Acedius Vex is the scar over the wound carved through primordial matter when the first thing was separated from the totality of everything. It is the interdependence and fungibility of all impermanent and imperfect things, real and unreal, possible and actual, trivial and great with, one another. It is the chaos of a thousand things happening at once, each so quickly that one cannot distinguish them, the impersonal viewpoint of the whole looking down on the mereness of the particular, the riotous meaninglessness of sensory overload. Focus, concentration, determination, an insistence on the value of the true and good over the false and wicked, the individual who seeks to distinguish themselves, these are its enemies. It is the pause to admire the sky in the midst of a battle, the admixture of pungent scents, the dance to avoid trampling ants as one flees for one's life, the anxious pause as one considers what to say, the daydream overlapping with one's waking life.

Its goal is a world in which the difference between one thing and another does not hold, where each becomes other, and another, and itself, all at once, relentlessly. Its vision is one where the weak become the mighty and the mighty become weak, where cunning mathematics reveals the hidden equivalences of all things, where flesh devours its own before being devoured in turn. It craves transmutation, profusion and ambivalence in all things as reflections of their fundamental emptiness. It despises the cold, calculating focus of the undead, the obsessive devotions of the addict and the lover, the dedicated rapture of the artist.

Acedius Vex appears as profuse, rambling, enciphered speech, the linguistic equivalent of an irrational number, an endless never-repeating flow of words that contains all patterns and all possibilities within it while yet exceeding them in its development. Once one begins speaking Acedius Vex, one can never stop. In time, those who hear it spoken often enough begin to find themselves muttering some part of it in turn. The skulls of its speakers continue to chatter speechlessly even after death, until they are worn down to dust faintly shimmering in secret ciphers.

Its herald is a crowd of madmen shouting and hooting nonsense who crew a black boat that sails through the air on the multicoloured rays of dawn and dusk. Its followers are mutant proselytes in animal masks who rave and pray in vivid and unforgettable ceremonies.

Taboos
Never insist on the importance of one thing over another in conversation
Never refuse to eat an intelligent being if offered
Never avoid an act because of the long-term consequences
Never become addicted to anything
Never fall in love

Observances
Reveal that one thing has actually been another all along (+1)
Cause sensory overload in another intelligent being (+1)
Pause in an urgent situation to speculate irrelevantly (+1)
Eat a being of the same species as you (+1)
Destroy a powerful undead being (+1)
Being blinded, deafened, or muted (-1)
Sleeping through the dawn or dusk (-1)
Accomplishing a long-term goal (-2)

Bond
2: You gain +4 on saves vs. charms, compulsions, and obeying orders.
3: You gain Darkvision, which manifests as the ability to narrate aloud what is in front of you in the darkness rather than actual sight.
4: Once per day you can cause a mirage to form as if you had cast Rainbow Pattern.
5: You gain a +4 to hit with any social attack that is ludicrous.
6: All enemies within 2" of you must save or become Distracted until they are no longer in range.
7: You may roll on the chaos mutation table whenever you wish, as many times as you wish. The changes are permanent and cumulative.
8: Three times per day, you may exchange the current hitpoint totals (both mental and physical) of any two living creatures you can point at as a [Action]. The creatures must each have an equal or lesser number of hit dice than you do, and may save if they are unwilling.
9: Once per day, you may change the state of any 10x10x10 cube of unliving matter from one state into another - water into ice, bricks into gas, dirt into plasma, salt water into crystals. You are limited only by your knowledge of the states of matter. This change lasts for 1d6 turns.
10: You can make up the names of things at will. These  names function as if they were the original ones for the purposes of rituals you cast.
11: You may treat any illusion as if it were real and gain the benefits of doing so. Conversely, you may no longer disbelieve illusions.
12: You gain the blessings of Acedius Vex. You no longer experience critical hits from physical damage, as no part of you matters more than any other. You do not accumulate Stress or suffer damage from it. Anyone you render helpless in a grapple must save or become you, transforming over the course of one round into a perfect copy of you with the same stats (including current hitpoints, spell dice available, etc.). The copy lives for 13 hours then dies.

Edit: I've updated Acedius Vex's powers in line with Josh's advice in the comments. This primarily affects bond levels 6, 8, 9, 10, 11 and 12.

Feb 17, 2017

Determining Magical Item Components

This one's a fairly simple solution to a fairly common problem. The problem is that some PC wants to create a magic item, and you need a list of components that they need to collect to use as the raw materials for the item, and are sorely lacking in inspiration. If this doesn't happen to you for the first magic item the PCs create, I'm sure it happens by the third or fourth, as the number of clever literary examples you can draw on from memory starts to be exhausted. Here's how I handle generating components:

First, I roll 1d6+1. If the item is particularly powerful, I'll roll 2d6+2. This is the number of components a PC has to collect. Next, to generate the components, I use one or both of the following processes.

1) Roll on your wandering monster table once for each component. This will generate a monster and some item to be collected from them. You may have to interpret things slightly, especially if you were boring in generating tracks or lair-types for each monster. If you roll monster, choose their most prominent or grossest feature for collection. Even abstract or transient things are fine. If they have to collect the roar of an ooze attack-squad's jetpacks, that's their problem, not yours. For variety, I recommend splitting the rolls across multiple wandering monster tables if you have them, since this will encourage the PCs to visit various areas to collect them all. You may also want to roll 1d10 for the # of each thing a PC needs to collect (i.e. 6 mummy hearts or whatever), but I find this often leads to a boring grinding feeling unless the PCs can reasonably expect to find a group of the right monster type at once (alternately: present them with a clear idea of where to find such a group).

2) I use this second method when I want to include rare metals, gems, etc. as components instead of just monster bits. I start by taking a treasure generator like Courtney Campbell's Treasure and just rolling as if the components needed for the item were part of hoard being generated. I recommend keeping the numbers, so if the generator spits out 32 fire badger pelts, then they need 32 fire badger pelts. I try to swap out as much coinage as possible for items and commodities, but if some is left, that's fine - I take that to mean that much raw metal of the appropriate type is required. If you're in a particularly lazy mood, you can even just pick components off a previously generated treasure hoard that the PCs picked up somewhere else. In practice, this often comes across as masterful planning and foreshadowing instead of laziness, and it encourages them to track down the people they sold their previous treasure to, in order to get the item back.

Usually, I'll combine these two, with about half the components being generated treasure stuff, and half being monsters you have to kill. I find this mix tends to maximise the fun vs. complexity factor. The PCs can discover the items on list in whatever way you think appropriate - legend lore spells, consulting sages, you telling them directly to save time, whatever you'd like. I favour this method because it repurposes existing material prepared for the game (wandering monster tables, treasure hoards), but also generates relatively straightforward leads and goals ("Where can we find a flawless sapphire worth 5,500 GP?"). I recommend you try it and see how it works in your game.

Feb 12, 2017

Considerations on Restocking Dungeons

I had a post-game discussion with Courtney the other day about restocking dungeons, and I thought I'd lay out some of the ideas we discussed for your consideration.

My basic principle, the one underlying everything else that I'm going to talk about, is that restocking a dungeon should be less complicated than simply coming up with an entirely new dungeon or dungeon zone. This seems obvious, but I've seen some fairly complicated systems out there that violate this principle, and I wonder how much they end up using the system in play, rather than just sort of presenting it as a thought exercise on a blog.

The first question I think people should ask themselves is whether they even need to restock the dungeon? I'd add the following consideration: Why restock instead of pushing PCs to new dungeons or new zones within the dungeon? Restocking encourages PCs to linger in zones nearer to the entrances to the dungeon, it slows down their progression through the dungeon, and it can make it seem like their efforts to clear out the dungeon are pointless.

If you don't have clear ideas about how manage these things so they don't kill the fun, I'd actually recommend against restocking. Instead, I'd recommend that you present clear diegetic signs to indicate that a dungeon or dungeon zone is empty / deactivated / cleared and should be traversed to get to new material instead of lingered in. These signs should be some combination of boring and dangerous, with the emphasis on boring instead of dangerous, since this is less likely to confuse them into thinking that there are still monsters and treasure to be found here.

Dungeons that do the best with being restocked are ones that allow or incorporate ways of overcoming the slow down in progression through them caused by restocking. This includes dungeons with short-cuts in them that have to be discovered or created during play (including multiple entrances or teleporters); dungeons with organised factions that you can negotiate with for safe passage; dungeons where you can change the overall organisation of the level (e.g. draining or flooding it) to reach new parts of it; and dungeons where you can temporarily delay or "turn off" the restocking (perhaps by shattering an evil altar or something that draws monsters to it).

Restocking at its best incorporates and recombines familiar elements of the dungeon or dungeon zone, but does so in a way that produces emergent and unpredictable results. One interesting (and perhaps unexpected) thing I've discovered over the years is that PCs tend to feel that their actions have had the most impact on a dungeon or dungeon zone when it shifts levels of organisation. That is, when they "clear" a dungeon that's filled with highly organised enemies and the next time it goes through, the enemies are comparatively disorganised, or when they clear a dungeon of a bunch of random monsters, and then the next time they come through, they find a highly organised set of foes has moved in to replace them. 

What Should Trigger Restocking?

I use four different triggers to determine when to restock via the method I'll describe below. I don't have a strong preference for one over the others, so I just rely on discretion and what I think will generate the most interesting results. These are ranked in rough priority.

1) After the PCs kill the two most powerful monsters or groups of monsters on the level
2) After the PCs have explored all non-hidden rooms on the level
3) Every 2d6 expeditions
4) When the PCs go into extended downtime away from the dungeon

I use these because I like exploration, and hate mop-up. I use the dice counter method mainly once they've cleared out an area entirely and keep on passing through it, and I use the downtime method as a backstop just in case they take an extended break from an area. If you do use a dice counter, I recommend using something that's guaranteed to give you at least a few sessions to restock, instead of trying to do it for every session.

The Actual Method

Here's the method I actually use for restocking, based on the above considerations. You will need:

1) A wandering monster table
2) A wandering trap table
3) A "theme" table of varying length (I usually use six to ten entries) whose creation I will describe below

All you do is roll on the theme table, then roll on the wandering monster table and wandering trap table for each room (in whatever order you please). Any entry on either table that's transient on the table leaves the room empty (from the perspective of a room's contents monsters, traps, treasure, etc.). If it's not a transient entry, then put it in the room. As you roll, apply the transformation rules from the theme table (more on that in a moment) to alter the results. Generate treasure for the lairs as appropriate. At that point, you're ready to go.

NB: I recommend you do this for every room in the area, even if the PCs didn't clear it out the first time.


The Theme Table

I call it a "theme table", but only because that's quicker and easier to write and say than "a table of rules of transformations". Each entry should be a few global rules that modify how you use the wandering monster and trap tables to create entries.

I usually start these off as a 1d6 table and expand them as I get good ideas to fill out more entries.

Here's a sample of one to give you an idea of what I'm talking about:
1) Monsters from elsewhere have moved in and taken over. Use the wandering monster table from an adjacent zone (or the overland table if there are no adjacent zones) to populate the rooms.

2) The two most intelligent monsters generated are the leaders of factions that are at war with one another. Reroll on the wandering monster table for all rooms and corridors adjacent to the room each one is in (even if there are already monster results for these rooms). These are their allies and servants.

3) All monsters in this area are mind-controlled by the first monster you roll a lair result for. If no lairs are generated, then roll again for each room on the wandering monster table and add additional monsters until you get a lair result.

4) Monsters are using traps to drive intruders out. After the first monster is placed, all further monster results are actually rolls on the trap table (that is, roll twice for traps for each room).

5) Monsters are reworking the architecture of the area. Any two rooms with the same monster type in them will have a secret passage connecting them. If any monster type has a lair on this level, then there will be a secret passage connecting them to any other rooms containing the same monster type.

6) There is a power struggle going on for control of this area. After rolling for monsters for each room, reroll for each room a second time using a wandering monster table for the nearest adjacent zone. Monsters from different wandering monster tables are hostile to one another.

These are all fairly straightforward and rudimentary. You could easily expand this (I both do so in practice and encourage you to do so). In its current form, it's highly generic and could be used for any dungeon, and on any level of that dungeon. The table is meant to be used multiple times for the same area, and each time different "layers" of results build up.

If you really wanted to, you create a unique table for each zone of the dungeon. I recommend against this (based on the above-mentioned principle of keeping restocking simple), except if the level has a very strong theme (e.g. it's a rotating level, or a level that floods and drains or something else like that). In that case, I'd use a d4 table with four strong and interesting options customised for that level, and otherwise use the generic table for the rest of the dungeon.

My experience using various versions of this method is that it's easy to use, fairly fast to do, and the addition of the themes / transformations is more than enough to make it seem like complex and interesting changes are going on in the dungeon in response to PC actions, without having to get into a lot of political simulation, or relationship mapping or weird flowchart things or other overly complicated stuff.

Jan 22, 2017

An Updated Version of My Chase Rules

There's been a lot of interest over in the OSR Discord channel about my chase rules. I originally posted them here, but they've since gone through a few updates and slight revisions, so I thought I'd post an updated and clarified version for anyone who'd like to use them.

Each round, each group of pursuers and fugitives rolls 2d6. If the fugitives are slower than the pursuers (for example, because of encumbrance), they roll an extra 1d6. If the fugitives narrate some clever maneuvering or other interference with the pursuit, the pursuers only roll 1d6.

If all of the fugitives' dice match one another (i.e. they roll doubles or triples) then they get away and the chase ends. If the pursuers roll doubles, they corner the fugitives and the chase ends. Ties go to the fugitives.

If any of the results on the fugitives' dice match the pursuers, then they can each exchange a round of missile fire with one another. e.g. if the fugitives roll 2d6 and get a 4 and a 6, and the pursuers roll a 4 and a 5, then the 4s match one another and each side can shoot the other. You can't reload or do anything other than take a snap shot.

If either side's roll totals to 7, then they can take a round of melee attacks against, or other actions affecting, the other side. Only the side that rolls the 7 gets to make the attacks. Actions can include reloading your ranged weapon, or casting a spell.

If either the pursuers or fugitives have more than one member on their side, they can choose to split off at any time and roll separately, but they're only affected by their own dice rolls.

The chase continues until the fugitives get away, are cornered, or either side is dead.

Jan 3, 2017

Live Settings

I like to do a review and update of the various settings I'm running, planning, designing, etc. This is partially for my benefit, partially for the sake of those interested in them.

Fantasy:

Moragne (Mongoose Runequest 2)- Dead (since 2009!) and cannibalised for the Old Lands. I took a few of the story-ideas and setting elements from this, but left the Anglo-Norman trappings behind. I ran one single-shot adventure and one campaign in this, and felt I'd done the bulk of what I wanted. The was the final campaign of the group I ran this for (my old university group) and it disintegrated as we moved onto other phases of life (only one other guy and I still play RPGs).

Emern (Swords and Wizardry) - Dead since 2012, when I ran the last campaign in it. The group I ran this for has basically dispersed as well. There are elements of this that have made it into most other D&D campaigns I've run or planned since, but I don't think I'm coming back to it any time soon.

The Wolf Sea (Openquest)- Dead and cannibalised for the Old Lands. This was basically a map and some notes, so I mostly reused names and a few setting elements. The work I did on this was as much about learning how to use Hexographer to create child maps properly as anything else.

The Dawnlands (Openquest / Mythras) - Still alive, but I haven't run a campaign in it since 2013! I'm converting it over from Openquest to Mythras and revamping the setting extensively to remove some of the D&D 4th edition-isms from it and replace them with other weird fantasy and Central Asian elements. I'm working on turning this into a setting book, in fact, which is why a lot of what I'm writing for it isn't turning up on my blog right now. I think I'm going to aim to run another campaign towards the back half of 2017, when a rough draft of the new and revised material will require some playtesting.

Necrocarcerus (Swords and Wizardry / Into the Depths) - Still kicking. I was running a campaign of this as recently as the end of 2015 / start of 2016, and ran an adventure - Ribshack of the Demon Prince - in summer 2016 using Into the Odd. I took a break from running to free up the time slot to play in Courtney Campbell's Perdition game. In hindsight, what was slowing me down was writing a huge house-rules document that quickly spiraled out of control without adding a ton of fun to the game. I wrote Into the Depths as a chassis to run Necrocarcerus and the Old Lands, and killed the giant house-rules document. Over the holidays, I also read the Doomed City by the Strugatskys, which is surprisingly Necrocarceran, though I'd never heard of it prior to seeing it in the book store. Reading it got me a bit fired up to work on the setting again in a public-facing way. I'm going to go back to writing fun, fluffy content for it. Expect more Necrocarcerus content for the blog, but I don't think I'll start working on a book for it until 2018.

The Old Lands (Into the Depths) - Living and currently under development. Basically a garbage-can setting in the good sense. Necrocarcerus is a high-concept setting in a lot of ways, and running an adventure that assumes you're dealing with a medieval village full of living people doesn't quite sit well within it. So I created the Old Lands to let me run modules, pre-written adventures, megadungeons, etc., and to recycle the best ideas from Moragne, Emern and the Wolf Sea into one setting. It's an early-modern setting with weird and dark fantasy elements. Expect to see it pop up from time to time, but probably as actual play reports. I'm hoping to start a campaign set in it sometime in February and run it for at least the first half of 2017 (hopefully longer).

Science Fiction:

The Tellian Sector (Stars Without Number) - My 40K / Stars Without Number mash-up is effectively dead. I haven't worked on it in years (though I still get a few hits a day of people looking it up). I worked on it originally because I really disliked the original Dark Heresy rules, and when I looked at 2nd edition, I liked them even less. I think I've also had my fill of fantasy translated to space settings, and want to run some (slightly) harder science fiction. If anyone wants to finish this, the only things it really needs to be a complete conversion are a weapon and gear write-up, and a consistent way of converting Spike Phases and their effects into Void Shields (plus, I guess, Space Marine rules if one must).

Unnamed Transhumanist Post-Apocalyptic Star Trek Thing (Openquest - River of Heaven? / Stars Without Number?) - I've been reading Alastair Reynolds' Revelation Space books, Peter Watts' Blindsight stuff, Transhumanity's Fate (the FATE conversion for Eclipse Phase), Feersum Endjinn and a bunch of other semi-hard transhuman sci-fi stuff of that ilk. I've been having an itch to run a science fiction game for some time that would focus on a small group of post-human post-scarcity explorers sent out to recover and enrich the beliefs and ideas of the devastated star systems around them. That sounds boring, but the idea would be to delve into ancient space hulks to recover encrypted data libraries with the cultural production of entire clusters, to encourage and assist the masses of crapsack worlds to overthrow their feudal masters by smuggling them cornucopia machines through cyberpunk hijinks, and beat back interstellar imperialism through cool space battles. I'm still thinking this one through, and it'll probably be 2018 before it's ready to go.